Ray Toro, former guitarist of My Chemical Romance, is back!
“Welcome to my website. Over the past two years, I’ve stayed mostly silent about what I’ve been up to. It seems if you aren’t active on Twitter or Facebook you are considered erased, washed up dead on an endless shore of tweets, likes and favs. I am here to tell you I am not dead. In fact, I am very much alive.
The last two years has been a time of immense transition for me. I’ve said goodbye to the old friend that was MCR. I’ve spent my time learning how to write songs on my own, learning how to sing, and most importantly learning how to be a great father and husband. Becoming a father has taught me countless lessons about life and love. Hopes and dreams. Who I am, and who I want to be. Being a parent, you will see the best of yourself. And you will see the ugliest parts of yourself. My wife has been right by my side in this school of hard knocks. Through it all, she has taught me to look inside myself. To better myself. To believe in myself.
With all that said, I am pleased to announce I will be entering the studio next week with Doug McKean to track the first clutch of songs for my next project. I am beyond excited to share them with the world. I know that Doug will take my vision, and with the skill of a magician, help conjure it into reality. Throughout the process, I will be posting pictures, audio teasers, and behind the scenes video, so keep an eye on my Twitter feed and website for updates!
Thank you all for visiting. I do hope you stay awhile…”
Gerard Way has revealed he relapsed into alcoholism after his former band My Chemical Romance released what would be their final album.
The singer, who will release his debut solo album ‘Hesitant Alien’ on September 29, opens up in this week’s NME about how he fell into the self-destructive habits of his 20s shortly after the release of My Chemical Romance’s 2010 LP ‘Danger Days’. He broke up the band, he says, to save himself.
“I relapsed, not into drugs but booze,” he says. “I was self-medicating again to get through, and I’d forgotten how miserable that made me. It took me to the dark place again, but there was more at stake this time. I started to face the hypothetical reality of [daughter] Bandit not having a father. I started taking that seriously, thinking, ‘I want her to have a dad. A guy that’s present. Because one way or another – either by death or by asylum, she’s gonna be fatherless if I keep this up.’”
The choice, he says, was an easy one: “Break the band or break me.”
Earlier this week, Way announced that he will play his first ever solo gig to just 400 fans at Portsmouth Wedgewood Rooms on Wednesday night (August 20). He will also perform at Reading & Leeds Festivals this coming weekend (August 22-24).
Watch the video for Way’s new song ‘No Shows’ below now.
- The ‘Hesitant Alien’ tracklist:‘Bureau’
‘Get The Gang Together’
‘How’s It Going To Be’
‘Maya The Psychic’
Gerard Way has shared a new video via Twitter titled Pink Station Zero, which happens to be the name of a “station” from All Ages, a new comic he is working on. In it, an anchor announces that viewers should stay tuned for new music from Gerard Way next week.
Check out the clip below.
Check out Way’s sketches of Pink Station Zero, which he unveiled on a recent Google+ chat with Wacom.
The video also features another tiny easter egg for fans who pay attention. In it, the anchor mentions “actress Gina Barbeux,” a name fans will remember having seen in Way’s The Umbrella Academy comics.
As the frontman of My Chemical Romance, Gerard Way seemed to have it all. The next chapter requires something altogether riskier.
It all began with a guitar. My Chemical Romance first came to life when the band’s frontman, their leader-in-waiting, picked up a 90s Fender Mexican Stratocaster in his parents’ basement and wrote their very first song. Twelve years on, as the band were finally drawing to a close, it was that same Lake Placid Blue guitar that Gerard Way turned to.
It’s safe to say that Gerard was stepping into the unknown. For the best part of a decade-and-a-half, he had graced stages around the world, kicking and screaming, sweating and bleeding his way to the most dizzying heights of popularity. He had taken his band out of the dirty basements of New Jersey, tracked down the souls of 1000 evil men, led a deathly army and become his very own superhero. With each of their albums came a new era for the band, and with every new concept, legions of fans would follow. Then, one day, My Chemical Romance became just too big a monster.
“It had,” agrees Gerard. Sat in the basement of a central London hotel, he looks a little different to the last time he was on UK soil. One of the last great accolades of the band saw them headline Reading & Leeds Festival just over three years ago, but gone is the flame red hair and leather jacket that he boasted during their ‘Danger Days’ performance. He’s traded it in for a messy mound of blond locks (for the time being, at least), blue jeans and some beaten up Converse. He looks relaxed, ready for things to set in motion once again, unafraid to admit that the next part of his life began at the end of his last. “There was a large part of me that wanted to escape that bigness, which I came to terms with over time. I learned to accept that it had grown to that and to love it for what it was, despite how big it had gotten. I came to peace with that part, but at the beginning of the break up, for sure, I was trying to escape this largeness.”
“There was a large part of me that wanted to escape.” – Gerard Way
By the time the band called it a day back in March 2013, they had sold over four million albums worldwide, climbed to the top of the charts and headlined festivals on both side of the Atlantic. Their incendiary brand of punk rock – visceral but somehow eloquent, morbid yet enamouring – proudly blurred the lines of niche and mainstream, all the while taunting critics with its moments of bombast and flair. With the release of their third album ‘The Black Parade’ they had grown bigger than ever; they felt unstoppable, a force to be reckoned with in their gothic military uniforms, but when touring drew to a close in 2008, that couldn’t have been further from the truth. “I don’t know how much of a secret this is,” offers Gerard, “and I don’t think it is, but when we finished ‘…Parade’ and we had finished the touring, I didn’t want to do it anymore. That was a nice ending point for me. It was an extremely high note, I had said all I’d wanted to say. There was nothing more for me to say under that umbrella of My Chemical Romance.”
Somewhere along the way, his priorities had changed. With the band growing up and beginning to settle down with their wives and children, he had bigger responsibilities than his own artistic urges. As the project grew, drawing more and more people into the mix, there were less opportunities to walk away, and more depending on him than ever before. “You know, you try to be responsible,” he explains. “You’re becoming an adult and so you think one of those things is, ‘Well, I’m gonna be responsible. We’ve all got mortgages and families now and the right thing to do is to stay in this.’ Then you start thinking about the crew that you help; they work with you and that’s how they make their pay cheque. It gets bigger and bigger. It becomes that machine and then you don’t want to turn your back on anybody, not a single person. So, you go against yourself, you go against what feels right, to ‘be an adult’.”
Having closed the door on ‘The Black Parade’ almost six years ago now, things soon became quiet in the MCR camp. The band – guitarists Frank Iero and Ray Toro, along with Gerard’s bassist brother Mikey – spent time being husbands and fathers, settling in to that new period of their lives. That was until September 2010 at least, when the notoriously catchy, gloriously cartoony trailer for ‘Na Na Na (Na Na Na Na Na Na Na Na Na)’ burst onto the internet. The band were back, reborn as superhero rogues in a post-apocalyptic land, another concept album firmly in their grasp and another touring schedule spanning way out into the future.
“As a human being you have to understand and deal with the process, not just run away from it,” Gerard reflects. “I wasn’t running away from the bigness, but I wasn’t happy doing it anymore, and it’s not what I wanted for my life anymore. It’s not the kind of father I wanted to be, or husband, or artist for that matter. It’s not who I wanted to be any longer. To go against what your inner-self is telling you – to go against the art like that – and keep grinding it and keep trying to milk it and make it work – not the guys, but me personally – that didn’t feel right. So, everything from the end of ‘…Parade’ to the end of the band just felt like I wasn’t being honest with myself. It was doing serious damage physically and mentally over that time.”
It took the release of fourth album ‘Danger Days: The True Lives Of The Fabulous Killjoys’, their consequential 7” collection ‘Conventional Weapons’, and a performance at New Jersey’s Asbury Park to shake Gerard into action. It admittedly took a while to sink in – as he later went on to explain in a closing letter to fans – but soon enough, he knew that their time was up. “You know,” he muses, “I think being an adult is not necessarily running away from things, but it’s doing exactly what you’re supposed to be doing. You have to be honest with yourself. I think that’s how you end up with a lot of really unhappy parents, who raise unhappy children that don’t want to be around them. I’d rather make a quarter of what I made in MCR and have [his daughter] Bandit grow up and say, ‘My dad was awesome. He had a great time making art. He loved life, he loved looking at life through a lens, he taught me how to look at life.’ I would much prefer that to, ‘Yeah, I kinda see my dad. He drives a Porsche, he doesn’t talk a lot. He’s on the computer a lot. Sometimes he writes comics but not really.’ I was just so unhappy with where I was at, that’s the way it started to become.”
“A lot of it was completely blind flying, and I loved it.” – Gerard Way
It was time for Gerard to pick himself back up again. With the band laid to rest and his mind finally at ease, he was able to turn to that guitar – the same one he had written ‘Skylines and Turnstiles’ on twelve years previously, the same one he had introduced in his closing letter to fans – and start over.
“I knew I would,” he states, without a flicker of hesitation. “I just didn’t know what it was going to be.” At first, the frontman had set his sights on forming a new band. Immediately inspired, he “started cooking up art, and trying to visualise the kind of instruments” they would need. It grew more and more ambitious as his imagination ran wild. “I realised, you’ve gotta take ownership over yourself. You’re not gonna start a band because that’s not gonna work out for you. You’re pretty uncompromising so don’t put yourself in a position that’s based on compromise anymore.”
The birth of Gerard Way’s solo career was as simple as that. It was an opportunity for him to explore the paths untrodden by his former project, all the while looking at things through a different pair of eyes. He didn’t even have a concept in mind, for starters. “When it became a solo thing…” he pauses to think. “Visually there’s a concept but there’s nothing that’s a concept about the album. That’s the first time I’ve ever attempted that; it’s not a concept album at all. It’s nice; it’s a lot more varied because of that. I know My Chemical Romance was very varied, but this feels more so.
“A lot of it was completely blind flying and I loved it,” he enthuses. “It was extremely free. It was sitting with a guitar at a mic and just hitting record, and being like, ‘Alright, let’s hear it back. Okay, let’s do this.’ The opening track of the record was literally just me grabbing my brother’s bass, because it happened to be there, and just playing and building off that. I would do that, and then I’d say, ‘Okay, I’ll take the guitar now. Open me a new track.’ There was just layering and layering and layering and then we’d say, ‘Let’s get some drums on.’ It was really free. It was just grabbing stuff.”
“Is it gonna work? Are people gonna like it? What am I doing? Why did I do this?”
Not only was it the first real chance for Gerard to be behind the guitar on an album – “when you’re in a band with two really amazing guitar players, you feel weird to wanna play guitar” – it also presented him with the freedom to roam his own, more personal influences for inspiration. “I got to go extremely deep. I knew that if I wanted to make a song that was going to sound like The Jesus and Mary Chain, it could really go that far. When you’re in a band, everybody has a fingerprint and that’s what makes that band special. When it’s just your singular fingerprint on it, you find that you can go deeper with it.” While My Chemical Romance had lurked at the heavier realms of his tastes – from Iron Maiden to Misfits – his new album became a place to explore. “[It has] everything from shoegaze to Britpop, and it’s a very British album. Everything from fuzz rock to noise rock, to experimentation, to Berlin-era Bowie and Iggy stuff. I’ve distilled it into some other thing, and there’s a thread of that throughout the record, but I went deep into my influences.”
Writing the album, dubbed ‘Hesitant Alien’, also allowed for the former frontman to gain his own sense of closure. Having spent over a decade in a band as notorious as My Chemical Romance had become – no one’s forgetting their infamous dalliance with the British tabloids any time soon – the time away, and the songs he wrote, saw Gerard face up to his own personal dilemma: re-discovering his place in the musical landscape. “Definitely each song is its own thing this time. They’re all connected by a sense of alienation and the idea that figuring out where I fit into music was realising that I don’t exactly fit into music, and that’s kinda how I fit.” He laughs, “that’s my role; my role is to be myself and super-unique and not worry about how I fit in. Not in an outsider, rebellious way, but in a celebratory way, saying ‘I’m different, this is what I do, and there’s nobody that does this like I do it, so I’m gonna be the best me I can be.’”
“I started to make the record that I wanted to hear.” – Gerard Way
That’s not to say that Gerard believes it’s plain sailing ahead. There’s always the fear of the new, fear of the unknown, of what could come next. That’s something he’s having to face head on. “Yeah, there’s a fear attached to it,” he agrees. “You have nobody to turn to and say, ‘Is this any good?’ You have nobody to turn to and say, ‘Do I look alright?’ That’s all gone, so you have to really believe in yourself. There’s a good fear that comes with it and there’s a bad fear, and that’s the unknown: ‘Is it gonna work? Are people gonna like it? What am I doing? Why did I do this?’ All that bad stuff, it creeps in!” he laughs. “It comes from a place of fear. Everything that’s the right thing to do is extremely hard. It should be fun, but it should be the hardest thing I’ve ever had to do, next to having My Chemical Romance break up.”
There’s also the question of his future audience. With My Chemical Romance fans ready and waiting for new music, there’s no shortage of people who’ll undoubtedly give the record a listen, but who is it that’ll stick around? Have their tastes grown to match his, or will they move quickly on? More pressingly, who from outside those boundaries might raise an eyebrow for the ex-frontman of a band who were stuck with a label that’s been more than difficult to shake: who exactly is going to care? “I think I’d like to reach…” he begins, before pausing. “Uhh, it’s weird. I don’t want to…” he trails off, before starting afresh. “I really respect the My Chem fans so it would be nice to carry on the journey with them, but I think it’s gonna go how everything else goes. You’re gonna have a group that likes it, a group that doesn’t like it, and a group that’s very indifferent to it. I do think that because of the influences of the record, maybe some of the sophistication of it, it will appeal to people maybe closer to my age, or in their early 30s at least.
“I know I would listen to this record, and that’s not to say I wouldn’t listen to My Chem records, but My Chem was very different. When we did something in My Chem, it was all gut and psychology. This time, with this album, I was very conscious in my influences and I chased them down very hard. I started to make the record that I wanted to hear, that I wanted to go into a store and buy. It was important for me to bring fuzz pedals back into music. I had a mission this time and it was a sonic one. My Chem had a very socially-driven mission, and now this was, ‘No, I’m gonna get fuzz pedals on the radio. That’s my goal.’ I think audiophiles will like the record a bit more. We got Tchad Blake to mix it; people who are really into mixing will know Tchad’s work very well. Then, Doug [McKean, the album’s producer] and I experimented so much with the tones, so I think people that maybe didn’t like My Chem would like this…
“I think it’ll get a fair shake,” he concludes. “What they feel about it after they’ve listened to it, I won’t know, but I definitely feel like somebody will go, ‘Alright, well I’ll try this dude out and see how it goes.’”
As for the reaction he hopes the album might provoke, it seems to be the mantra that he himself is trying to follow. “I just hope they take away that…” he pauses one last time. “Just to be free, and just to do what you’re feeling, to not over think it. To take the risk, and do the hard things.”
Former My Chemical Romance frontmanGerard Way will release his debut solo album, entitled Hesitant Alien, on September 30th via Warner Bros. Records. The new album will be available for pre-order at all digital retailers beginning Tuesday, August 19th. Exclusive album bundles will also be available for pre-order on GerardWay.com on the same date. Fans who pre-order the album will receive the track “No Shows” instantly as a free download. The music video for “No Shows” will also be released on August 19th. Please see below for the full track-listing.
Working with producer Doug McKean, Way knew immediately what he wanted Hesitant Alien to sound like. “I wanted to make the small things sound big,” he says. “My intention was to make 100 percent uncompromised art, using the currently least radio-friendly instrument, the guitar. I knew there would be lots of fuzz pedals. I knew I would play Fender instruments. I knew I would look at who my guitar heroes were in art school, Mary Timony and Carrie Brownstein, and I drew a lot of influence from shoe-gaze and Britpop. I want the record to sonically galvanize people.” Hesitant Alien was mixed by Tchad Blake (Arctic Monkeys, Black Keys).
Lyrically, Way wrote about what he knew at the time, “which was struggle, beginnings, finding a newness in the mundane and the abstract,” he says. “I looked to the Britpop poets like Jarvis Cocker and Damon Albarn, drawing upon every day life. I also experimented with the abstract, and looked at Frank Black’s work both with the Pixies, and as a solo artist. There was no concept and no call-to-arms.
Fans will get their first listen to some of the songs on Hesitant Alien when Way performs his first solo shows at the Reading and Leeds Festivals in England. He will perform at Reading on August 22nd and at Leeds on August 23rd.
Listen to “Action Cat” here.
The track-listing for Hesitant Alien is as follows:
Get The Gang Together
How’s It Going To Be
Maya The Psychic
Photo credit: Eric Ray Davidson
Over the past three years, Epiphone.com has had a running conversation with Frank Iero, inventor of the Phant-o-matic Wilshire and co-lead guitarist with pop sensation My Chemical Romance. When MCR broke up in early 2013, Frank granted us one of his first interviews and we’ve been along for the ride as he stepped back, re-grouped, and began making music again. Frank popped in to see us during NAMM and offered Epiphone and many of our friends around the world a sneak peak at his new album Stomachaches. And of course, we sat down with Frank before the show to talk shop about guitars and the mysterious ways of the music muse.
When we last spoke with you, My Chemical Romance had disbanded and you were working on some music at a very casual pace. Now things are picking up in a big way. What’s your life like right now?
You know, it’s crazy. I feel like if we had talked maybe… 4 months ago, I would have said: ‘Ok I have some down time on my hands. I’m enjoying the free time. I’m getting ready to pick things up.’ And now it’s so hectic, I can’t even breath (laughs)! It’s kind of nuts. Which is fun. I like being busy.
Did you miss that feeling? With My Chemical Romance, you kept a very busy pace. Physically, you must have been used to that. Is it good to have that energy back?
It is welcome but it’s a very different kind of busy. Mainly because I don’t have other people to rely on. Nobody else is picking up any kind of slack. And if things fall by the wayside, it’s all on me. If things go well, it’s all on me as well.
That must be pretty energizing, too since that gives you some more opportunities to be creative.
It does. I guess the concern there–or the juggling act–is not to let the craziness of the business-side seep into the creative. Because things will come your way and sound like really great opportunities and I always say ‘yes’ if it’s something I want to do. But I never think: ‘Oh my God! How am I going to pull this off?’
So what happened in those four months? What changed your answer from ‘I’ve got some downtime’ to ‘I’ve got a new record?’
I started out–well, I didn’t think I was writing a record. I was at a point where I was kind of beside myself with the way I felt physically. I just had these horrendous stomach aches–I battle with nausea, basically. But it had gotten where it was really coming to a head. It was sucking the life out of me.
So in order to kind of like–in a defiant way–reclaim my life back, my creative life back–I forced myself to do something to get my mind off of how I was feeling. And once again–like it did when I was young–music saved me. And I just started writing constantly and going down and demo-ing and recording. Slowly but surely, I realized I had this group of songs and I guess I had written a record. It was this weird reveal to myself. The funky thing about it is there are themes I feel run through that record but it’s very diverse musically–almost to a point disjointed–because it wasn’t ever thought to be a record. I like that janky feel to it.
Is there a theme or a thread to the new songs you’re writing now?
There are certain things I’ve always been fascinated with as a writer and as a person. The power in frailty–the beauty in the things that most people find mundane. Or even the things that some people are scared of. There’s a kind of purity that I see in these things, if take the time to look at them a different way. And the other theme that I feel runs through the album is this search for calm or peace of mind. A place where you can feel like you belong. At least in my experience we’re all searching for that. It’s kind of that life journey: what does it all mean? Where is my place in all of this? Where can I feel like I have finally found my point of existence, where I can finally feel safe.
Do you feel like you’re at that point as a writer because you’ve had such a big change in your lifestyle in terms of being at home and not on the road. Do you hear a different writing voice coming through?
You know–absolutely there’s a different writing voice come through. There is something to be said about coming home and having that down time. Because, you tend to have a hard time relating to real life again. When you finally come back down to Earth, it’s difficult to find your speed, so-to-speak. So there is something about that. But I feel like when I started writing songs and they started coming out of me, I had been off the road for awhile. Anything you go through changes the way you are now. And I had a lot of huge life experiences in a short amount of time. I came home off the road and I had three children. If that doesn’t change you then there’s something wrong (laughs)! But there’s definitely something to be said for a different outlook. I can’t imagine what the next stage brings.
Tell us more about your new record.
The title of the new record is extremely literal. It’s called Stomachaches and that’s for a reason. Because I kind of felt like the spark for this creativity, the seeds of these songs, started as these horrendous stomach aches. So I could have called it “12 Songs” or “12 Stomach Aches” (laughs). They are near synonymous with each other.
Did you write most of the songs on your Epiphone Phant-o-matic?
A lot of the songs stem from me playing bass. And I don’t know why. I have no good reason.
Now you have to design an Epiphone bass.
Yes, I would like that. I feel like the foundation of the melody and chord changes were written on bass. There are a lot of bass lines driving the songs on the record. Guitar on this record was another voice. And I think that’s something that I’ve always done with guitar lines that I write. Even with my past band, My Chem, I would come in and I would ride that space between vocal and rhythms. I tried to weave in and out of supporting those melodies. That’s something I’ve always loved to do. And on this record, I feel like the guitars are at times very dirty and squashed and it’s almost like a yell coming through.
Jarod Alexander played drums and you played all the other instruments. So when you went into the studio, did you track with bass and drums?
What we did was… well, you know there’s the correct way of doing things? That was not how it went! A lot of the demo-ing was me doing all the instrumentation and programming drums. And then I brought them to him. There’s a song on the record called “Blood Infections” that is basically almost all bass. It drives the entire song. So that one I did track with bass and Jarod. But then there are some songs like “She’s the Prettiest Girl at the Party and She Can Prove It With A Solid Right Hook” where I ended up using a lot of the original demo guitars. The way I recorded them was so integral that I couldn’t recreate it. So I thought, why try to mimic something that happened just in a moment in time. Now it’s done. It’s at the pressing plant. I got the test presses before I came to Nashville.
What kind of touring do you have planned?
So far, we’re booked for the U.S. We start in September. For the most part it’s supporting Taking Back Sunday and The Used. And then I would say we’re hopefully going to the UK in November. We’ll see what happens after the holidays.
When you’re touring as support, you have a chance to surprise the audience and it’s also a very confined set. Do you like that idea? And you can go out to dinner afterwards instead of waiting until late.
I do like that! For me, I requested a support slot. I wanted to take our time and really become a band. The funny thing about making this record was that I did it by myself. So these songs will live with a band for the first time. The rehearsals for this tour are the first time I’ve had a chance to perform these songs.
Do you want to tell the bass player what parts to play?
Well funny enough, I asked friend Rob to play bass who is usually a guitar player. The bass lines were so important and so weird I thought that to get the parts played incorrectly (laughs) the way I did it, I needed to get a guitar player since I play bass like a guitar player.
This is a very personal record. Do you feel like you can tell the band to let go or do you want to try to recreate the record on stage?
You’re right. I had a very intimate experience with that record. Those were late nights with just me pining over things. These stories that I wanted to tell. As far as the stage show, in no project that I’ve ever been a part of have I wanted to recreate the record live. I feel like the live experience should be a totally different animal. It’s like book to movie. If you want to listen to the record then you have to stay home and listen to the record!
After releasing his debut solo track, “Action Cat,” and recently speaking about life after My Chemical Romance, Gerard Way has revealed a little more insight into the demise of the band. Speaking in a new interview with Kerrang!, Way revealed that 2006’s The Black Parade was supposed to be the end of MCR. “That was Black Parade, and when the tour basically ended with us conquering the world, we were supposed to ride off into the sunset,” he says.
When asked why the band didn’t end, Way explains how it’s not that simple because of “careers, mortgages, families, crews, people, the machine itself.” Read an excerpt from the interview below, and read the full article on Kerrang!’s website.
“I got sick physically and mentally because I didn’t listen to what my inner self said…” Which was? “Which was when Parade was over, that’s the end. I always said that to myself and I had been relatively vocal about saying that around the rest of the band. I plan things out pretty far in advance. I sat down with a piece of paper before Bullets came out and I wrote. I wrote down titles of records, what they were going to be like and what they were going to accomplish for the band.” So you’d strayed from the plan? Gerard nods. “I never went past the third record because to me the third record was the pinnacle – it was the combination of everything we had learned on one and two but really taken to some crazy extreme. That was Black Parade, and when the tour basically ended with us conquering the world, we were supposed to ride off into the sunset. I can’t think of a better ending than that. And that’s what I internally planned for myself as a human being the whole time – this is it, that’s the end.” The question is, why wasn’t it? “Because it’s a lot more complicated than that. Because you get into careers, mortgages, families, crews, people, the machine itself – not to mention expectations of a record label that invested quite a bit in you, that would like more out of you, a fanbase that wants more out of you. So I kept going, against every fibre in my being, I kept going. I went against myself and I lost…”
G Way will release his debut solo album, Hesitant Alien, sometime this year. While we’re on the topic of The Black Parade, watch MCR perform “Welcome To The Black Parade” at the 2006 VMAs.
It appears that Gerard Way has revealed the title of his upcoming solo album is Hesitant Alien in a new tweet.
Many fans who are familiar with a more cloak-and-dagger approach to album announcements from Way’sMy Chemical Romance days are skeptical, but Wayreassured one concerned party who pointed out that it wasn’t “like [him] at all” to be so up-front, “I know. I wanna change things up.”
We have reached out to a representative for confirmation.
Check the tweet and a hidden-in-plain-sight hint he dropped a while ago below:
NME speaks to Gerard Way about his upcoming Britpop-influenced solo album, life after MCR and why he’s chosen Reading and Leeds to debut his new music.
Speaking to Kerrang! Editor James McMahon as part of the exclusive six page interview in this week’s new issue of K!, available here, My Chemical Romance frontman Gerard Way details, for the first time, the phone call that brought MCR to an end.
Gerard explains that he wished the band could’ve been together in a bar somewhere when the conversation to finish My Chem happened. The truth is, he tells Kerrang!, is that the final conversation between the band happened in a short group phone call. ”I wrote this thing. It’s the only way I could say it,” Gerard explains. “It was really brief, and it was very direct, and it was about how I felt.”
Gerard goes on to describe the conversation as “Very quick,” adding that it wasn’t “impersonal”, but it wasn’t “something to talk about a lot. It wasn’t a therapy thing”. To read the full six pages, pick up this week’s issue of Kerrang! from tomorrow.
We’re incredibly excited to tell Gerard’s story for the first time, so head HERE to download the first two pages of the interview for free!